Our cover this issue from Paul Downton, the architect who designed Christie Walk. Roman noticed his photos from a visit to Barcelona, and invited him to present a selection as a slideshow for Wild Goose. Paul decided he’d rather do a greenscreen presentation, and we hope you’ll agree it’s been worth the wait.… Read the rest
Adam: It has been a busy time since the last issue. Probably the highlight for me was a lightning trip to Europe. For various reasons I’ve been working on a long-running research project to develop a system that we hope will encourage the reuse of building components. Currently the construction industry is one of, if not the biggest producer of waste materials in Australia, so any means to reduce that waste is a worthwhile step.… Read the rest
Critical Mass is an Adelaide-based SF discussion group that continues to meet after many, many years of existence. For a long time it was based around a volunteer speaker each month, and some of the best talks I’ve had the opportunity to listen to come from those guest speakers. I will always remember John Foyster’s awe-inspiring demolition of one page from Dan Simmons’ Hyperion, Zoran’s introduction to the Thomas Carnacki books, and Julliette’s discussion of Mary Sue in fan fiction.… Read the rest
This issue’s theme seems to have developed as a look at the Alien. Not only do we have David Grigg’s excellent piece revisiting the Alien movies as a Trilogy from Ridley Scott, but several other contributors are looking at the alien and what makes us human.
Roman: As we mentioned last issue, one of the reasons we’re producing an online ’zine is to experiment with the possibilities of time-based media. Adam’s article this issue includes some videos of robots in action, and I’ve added a snippet of acrobatic Angels from Womadelaide.
We’re pleased to have some more pieces from Lynelle Howell and David Faber this issue, and a fairly lengthy article from longtime fan Leigh Edmonds.… Read the rest
The Wild Goose: A Collection of Ocean Waifs was a weekly newspaper published in 1867 by British prisoners as they sailed to a penal colony in Australia.
Handwritten on foolscap donated by the onboard priest, it was read aloud to passengers of the convict ship Hougoumont every Sunday. Reaching a landmark seven issues, The Wild Goose could be called Australia’s first zine.… Read the rest