It is something of a cultural miracle that we in Adelaide are privileged to view these paintings from Paris. As the title suggests, the exhibition is aesthetically colour co-ordinated. Descriptive panels inform visitors about the colour theories and science and the critical interpretations which swirled around the Impressionist school of painters, so called polemically by critic Louis Leroy (1812-1885) after the title of a painting exhibited in 1874 of an impression of sunrise by Claude Monet.… Read the rest
Salvation, a US science fiction thriller TV series filmed in Canada, is a surprisingly enjoyable yet odd show. It starts with Liam Cole (played by Charlie Rowe), an MIT student who discovers an asteroid that is due to collide with the earth, creating an extinction-level event that will destroy all of humanity.… Read the rest
Robots are inherently cool. Accordingly, I’ve long wanted to build robots, but until a few years ago I wasn’t making any progress. The big problem for me (other than cost) was the skills required. Robot construction requires a mix of mechanical engineering, electronics and programming. The third I could do, but the first two were much more of a challenge.… Read the rest
As in previous festivals, images were projected onto building facades. This time, a more interesting sequence of animations on the Institute Building, Mitchell Building, Elder Hall and Bonython Hall. Here are samples from the Mitchell Building… Read the rest
Roman continues his look at Max Gladstone’s Craft sequence, looking at books four to six.
Forty years after the God Wars, Dresediel Lex bears the scars of liberation—especially in the Skittersill, a poor district still bound by the fallen gods’ decaying edicts. As long as the gods’ wards last, they strangle development; when they fail, demons will be loosed upon the city.… Read the rest
Leigh Edmonds is a long-time SF fan with a keen interest in fanzines; we were lucky to score this convention report.
Like most people, I imagine, I live in more than one community. There is work, where I live, family and the people I chose to associate with for fun. They form a kind of boolean diagram of my life in which many of the facets intersect and others do not.… Read the rest
The cover this issue was snapped by Roman on his phone camera, slowly removed from a coat pocket, focussed and taken without scaring off the curious fox checking out the bucket at Joseph & Judith’s allotment. This issue unexpectedly covers the themes of fans, fanzines and conventions. And how to build robots!… Read the rest
Last year, Roman went overseas to attend the WorldCon75 in Helsinki, amongst other things…
It was in February that i decided that I was going to the world con in Helsinki. Rather than flying direct to Finland, I thought I’d go via London so as to catch up with friends. I also decided — about a month before leaving — to make a side trip to St Petersburg.… Read the rest
Hi, my name’s Lynelle and I’m a New Zealand fan. I’ve attended most conventions in NZ since I joined fandom, been to one worldcon (1999) and visited Melbourne’s natcon scene too.
I was recently asked to describe how I got into fandom, and what I do within it. Well…the first is easy.
My boyfriend (now husband) took me to my first SF convention in 1993, six months after we started dating.… Read the rest
Set before Episode 4, this is a story of a young Han Solo: how he escaped poverty in a kid gang, deserted from the Navy, met Chewy and joined in a train heist. New actors play characters we’ve met later in their lives, and they do an excellent job.
Above the crowd, two acrobat Angels circle each other, turning somersaults. Womad, 2018… Read the rest
This is an electric wild-goose production. This fanzine is (c) 2018 by the editors, Adam Jenkins and Roman Orszanski. Copyright reverts to the contributors upon publication. Issues will first appear on wild-goose.net, to be followed in due course by a downloadable issue for local viewing.
Contact the editors via email:
email@example.com… Read the rest
Written & Performed by Amer Hlehel
Adelaide Festival 2018
David Faber reviews the performance
TAHA is the triumphant but not triumphalist story of the Palestinian poet Taha Muhammad Ali, refracted through the experience and artistry of Haifa based actor and dramatist Amer Hlehel. The performance we saw deservedly commanded several standing ovations and not a few tears of empathy and joy.… Read the rest
A review by David Faber
Director Chris Drummond has dramatically realized upon the stage poet Alice Oswald’s compelling elegy to the fallen of the Iliad. The author has succeeded in interpreting the atmosphere of the epic, by stripping it of narrative detail.… Read the rest
David Faber reviews an exhibition at a collective art space
Kate Kurucz If You Can’t Be Good Be Careful
9th March – 1st April 2018
Floating Goose Studios Gallery 271 Morphett St., Adelaide SA 5000
The Floating Goose Studios Inc is a cooperative enterprise of a number of emerging Adelaide artists. Works displayed are for sale at reasonable prices, if you have the necessary; visiting for a look is free.… Read the rest